11. Follower of Francesco del COSSA
Ferrara c. 1435 – Bologna 1476/77
Saint Justina and Donor, c. 1475
Oil on linen
17 _ x 13 _ in. (43.8 x 33.7 cm.)
Elvehjem Museum of Art, University of Wisconsin, Madison
Gift of the Samuel H. Kress Foundation, 61.4.5
Provenance: Collection of Contini Bonacossi, Florence; Samuel H. Kress Collection, 1935-1961.

12. Follower of Andrea DELLA ROBBIA
Florence 1435 – 1525
Madonna and Child with Angels
Glazed terracotta
43 x 23 1/8 in. (109.2 x 58.7 cm.)
Patrick and Beatrice Haggerty Museum of Art,
Gift of Richard P. Herzfeld, 49.1
Provenance: Collection of Richard P. Herzfeld, 1949.

13. Workshop of Orazio (?) FONTANA
Urbino c. 1510 – 1576
Birth Bowl (Ciottola puerperile), c. 1575
Polychrome tin-glazed earthenware (maiolica)
Height 2 1/8 in. (5.4 cm.), diameter of mouth 8 _ in. (22.2 cm.)
The David and Alfred Smart Museum of Art, The University of Chicago,
Museum Purchase, The Cochrane-Woods Collection, 1979.42
Provenance: M. Guidi, Via della Porcellana, Florence; Museum purchase, 1979, The Cochrane-Woods Collection.

14. Circle of Lorenzo GHIBERTI
Florence 1378 – 1455
St. John, 15th century
Gilt bronze, cast and chased
2 _ x 2 1/8 in. (5.7 x 5.4 cm.)
The Snite Museum of Art, University of Notre-Dame,
Purchased with funds provided by Mr. and Mrs. Fritz Kaeser, 85.57
Provenance: Collection of Adolph Goldschmidt; Robert von Hirsch; sold by Sotheby’s 1978; Rosenberg and Stiebel Gallery, New York, 1985.

15. Ridolfo GHIRLANDAIO
Florence 1483 – 1561
Portrait of Piero di Domenico Pagni, c. 1510
Oil on panel
30 x 24 _ in. (76 x 62 cm.)
Patrick and Beatrice Haggerty Museum of Art,
Museum Purchase, The Mary B. Finnigan Art Endowment Fund, 2000.4
Provenance: Collection of the Earls Spencer, Althorp, Northhampton, Northhamptonshire, England; Wildenstein & Co., 2000.

16. Giovanni di Lorenzo LARCIANI
Florence 1484 – 1527
Madonna and Child, c. 1515
Oil on panel
26 _ x 19 5/8 in. (67.3 x 49.8 cm.)
Bucknell University Art Gallery,
Gift of the Samuel H. Kress Foundation
Provenance: Collection of Prince Wittgenstein, Vienna; Samuel H. Kress Collection, 1938.

17. After Sebastiano MAINARDI
San Gimignano 1466 – Florence 1513
The Nativity of Christ, 16th century
Oil on canvas, transferred from panel
35 5/8 x 25 _ in. (90.5 x 65.5 cm.)
Patrick and Beatrice Haggerty Museum of Art,
Gift of Mr. and Mrs. Marc B. Rojtman, 59.3
Provenance: Collection of Mr. and Mrs. Marc B. Rojtman, 1959.

18. Attributed to Giovanni Francesco de’ MAINERI
Parma 1460s ? – 1506
Ex Voto, 1501
Oil on panel
11 _ x 12 _ in. (28.6 x 32.4 cm.)
Museum of Art and Archeology,
University of Missouri-Columbia, MO.
Gift of the Samuel H. Kress Foundation, 61.80
Provenance: Private collection, Ferrara; Count Contini Bonacossi Collection, Florence; Samuel H. Kress Collection, 1935-1961.

19. Tommaso d’Antonio MANZUOLI, called Maso da San Friano
Florence 1531 – 1571
The Adoration of the Shepherds, 1567-68
Oil on panel
28 15/16 x 19 3/4 in. (73.5 x 50.2 cm.)
Private collection, Courtesy of Richard L. Feigen & Co.
Provenance: Private collection, New York.

20. MARIOTTO DI NARDO
Florence, active 1393 – 1424
Saint Dominic, 1408
(from the Coronation of the Virgin altarpiece, Santo Stefano in Pane, Florence)
Tempera and gold on panel
18 1/8 x 8 5/8 in. (46 x 21.9 cm.)
Grand Rapids Art Museum,
Gift of Hollis S. Baker, 1951.1.6
Provenance: Altarpiece commissioned for Santo Stefano in Pane (Borgo di Rifredi), Florence; W. Davenport Bromley, Wooton Hall, London, 1844-1863; Bromley sale, Christies, London, June 13, 1863, Lot 156; Purchased by Watson Taylor from Christie’s as Niccolo di Pietro; Hatton Garden Church, London (Holborn), late 19th century; Altarpiece disassembled and parts dispersed between 1894-1917; Georges Wildenstein & Co., New York, by 1917 (central Coronation and 6 pilaster panels of saints); Ernst Rosenfeld, New York (four panels); Parke-Bernet sale, January 4, 1947, no. 85 [to Hollis Baker?]; Hollis S. Baker, 1951.