Feb. 2 – May 21, 2017
Look How Far We've Come | Jeffrey Gibson
Contemporary artist Jeffrey Gibson is best known for sculptures and paintings that intermingle traditional Native American art with contemporary art and culture. The Haggerty Museum of Art at Marquette University will present Look How Far We’ve Come!, a solo exhibition of Gibson’s work, from February 2 – May 21, 2017. The exhibition will include a newly-commissioned, beaded wall hanging, soundtrack, and site-specific wall painting inspired by Gibson’s research in the Native American Collections of Marquette University’s archives. Existing paintings and sculptural works from other private and institutional lenders will also be on view.
Lakota Voices | Collection Highlights from the Heritage Center at Red Cloud Indian School
The richness and diversity of the Lakota culture is celebrated in this exhibition drawn from the collection of The Heritage Center at Red Cloud Indian School on South Dakota’s Pine Ridge Indian Reservation. The exhibition juxtaposes the creations of historic Lakota artists with the work of contemporary Lakota artists inspired by, and in dialogue with, traditional art forms such as buffalo bonnets, ledger drawings, and painted buffalo horns. It will also explore the extraordinary relationship between Jesuit and Lakota cultural traditions characterizing the Red Cloud Indian School.
We Can Make It | The Prints of Corita Kent
American artist and educator Corita Kent (1918-1986) used art as a tool for communicating messages of faith, activism, and social responsibility. A Sister of the Immaculate Heart of Mary, Corita taught at the Art Department at Immaculate Heart College in Los Angeles from 1947 through 1968. There, she developed a signature style of printmaking that combined the bold and graphic visual strategies of Pop art with calls for social justice and understanding.
August 18 – December 23, 2016
Series on Resurrection in Nature
For more than 40 years Gendron Jensen, a largely self-taught artist now living in New Mexico, has obsessively and lovingly transformed found relics into wakeful images of uncommon beauty. A Wisconsin native, Jensen spent his childhood on his family’s farm in Grand Rapids, Minn. As a young man Jensen entered the novitiate at Saint Benedict's Abbey in Benet Lake, Wis. He would eventually work in the monastery’s print shop and develop a passion for drawing during long walks in the natural environment surrounding the abbey. Series on Resurrection in Nature, Jensen’s first body of drawings, consists of sixteen 60" x 72" finely detailed graphite drawings of small natural phenomena such as a black walnut shell, a dragonfly wing and a raccoon skull. Jensen’s masterful drawings bring large-scale grandeur to some of nature’s smallest treasures, and invite us to join Jensen in meditating upon the inner life that he perceives in nature’s many forms.
(Re)housing the American Dream
This three-channel video installation, commissioned by the Haggerty and developed in collaboration with students from three Near West Side neighborhood schools, is the result of artist Kirsten Leenaars’ community-based, participatory exploration of the relationship between home and happiness.
Religion and Neo-Medievalism in Rouault’s Miserere
This exhibition of a small selection of prints from George Rouault’s Miserere (Mercy) series draws attention to the artist’s recurring use of medieval symbolism and devotional imagery.
The Master Index
Using self-authored software, artist Jason Salavon transforms a data set of the five million most popular Wikipedia article entries into a visually arresting, multimedia art installation.
An Atlas of Water and City of Milwaukee
This exhibition documents the development of Watermarks, a major upcoming public art project by artist Mary Miss. Working from Marquette’s space in the Global Water Center, Miss will engage a broad campus and community consortium to tell Milwaukee’s water story through site-specific installations across the city.
June 9 – July 31, 2016
Fellowships for Individual Artists 2015
The Greater Milwaukee Foundation’s Mary L. Nohl Fund
The Haggerty Museum of Art proudly presents an exhibition of work by the five Milwaukee artists awarded Mary L. Nohl Fund Fellowships in 2015. Funded by the Greater Milwaukee Foundation’s Mary L. Nohl Fund and administered by the Bradley Family Foundation, the Mary L. Nohl Fund Fellowships for Individual Artists provide unrestricted funds for artists to create new work, or to complete work in progress. The program is open to practicing artists residing in the four-county area (Milwaukee, Waukesha, Ozaukee, and Washington counties). This exhibition will feature work by Jon Horvath and Frankie Latina — who were awarded Nohl fellowships in the “Established Artist” category — and Ben Balcom, Zach Hill and Maggie Sasso, who were awarded Emerging Artist fellowships.
HMA DNA: Collection Highlights
The Haggerty Museum of Art’s institutional genetic code is formed by a collection of more than 6,000 works of art acquired over the past 60 years. This summer the museum debuts HMA DNA: Collection Highlights, an ongoing exhibition of work from the museum’s collection by artists including Salvador Dalí, Carle van Loo, Robert Rauschenberg, Barbara Morgan and Jacob Lawrence.
January 21 – May 22, 2016
Spotlight Exhibition: Jacob Lawrence
Joan of Arc: Highlights from the permanent collection
Bijinga Picturing Women in Japanese Prints curated by Dr. Hilary Snow.
Carrie Schneider: Reading Women
September 17 – December 23, 2015
Marc Chagall: Biblical Narratives in Print
Adi Nes: Biblical Stories
What is Hispanic? | ¿Qué es Hispánico?
Giuseppe Mazzone: Geometry of Faith
June 18 – August 30, 2015
Current Tendencies IV: Topography Transformed
Out of the Vaults: Keith Haring
On View(s): Highlights from the permanent collection
January 22 – May 31, 2015
Clear Picture Looking at Communities from an Art Museum
Mila Teshaieva: Promising Waters
States of Uncertainty
The Body, The Self
August 20 – December 23, 2014
Alfred Leslie: The Killing Cycle...
Alfred Leslie and Frank O'Hara: The Last Clean Shirt
Nadav Kander: Yangtze – The Long River
June 4 – August 3, 2014
Scrutiny After the Glimpse
Thorne Brandt: AGOD
The Print Room An Exhibition by the Chipstone Foundation
Aesthetic Afterlife An Exhibition by the Chipstone Foundation
January 22 – May 18, 2014
Between Critique and Absorption: Contemporary Art and Consumer Culture
Brian Ulrich: Copia — Retail, Thrift and Dark Stores, 2001–2011